• Tales Of Middle Earth Mac Os 11
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• Tales of Middle Earth (previously Troubles of Middle Earth, previously PernAngband) is an Angband variant. ToME2 discussion forums - a branch of ToME2 actively maintained by the community tome-ah ToME2 fork; ToME-SX ToME2 fork.
• Unfinished Tales of Numenor and Middle-Earth PDF book (Unfinished Tales) (Unfinished Tales Series) Read Online or Free Download in ePUB, PDF or MOBI eBooks. Published in 1980 the book become immediate popular and critical acclaim in fiction, classics books. The main characters of Unfinished Tales of Numenor and Middle-Earth novel are Gandalf, Tuor.

The Middle-Earth Fanfiction Awards or MEFAs were awards given to online Tolkien fan fiction. From their FAQ: 'An all-encompassing Awards contest for Lord of the Rings fanfiction (including the Silmarillion and the Hobbit fanfiction). Anyone can nominate stories, poetry, drabbles, and essays by joining the MEFAwards Yahoo group. The middle mouse button is precisely for this use, as delivered by Acorn Computers (inventors of the ARM chip) in RISCOS (even if it was originally called Arthur). Every time I’ve heard people describe how the Mac menu bar is superior to Windows’ approach I cringe. Acorn’s approach was superior still. Tales of Middle Earth (ToME) is a fantasy adventure game, based on the works of J.R.R. It is a game that emphasizes intricate, challenging, and varied gameplay over graphics. Hundreds of different monsters in randomly-generated, unpredictable dungeons will strive to slay you by various means, and you counter - if you survive - by developing the skills of your choice and wielding mighty artifacts.

The Middle-Earth Fanfiction Awards or MEFAs were awards given to online Tolkien fan fiction.

From their FAQ: 'An all-encompassing Awards contest for Lord of the Rings fanfiction (including the Silmarillion and the Hobbit fanfiction). Anyone can nominate stories, poetry, drabbles, and essays by joining the MEFAwards Yahoo group. MEFAwards members can vote on any nominated story for as long as they are a member of that group; nominated authors can vote on stories in the year in which they are nominated. Votes will be comment-based, providing everyone with at least one vote with the award of FEEDBACK. Top three places per category will win award.'

The MEFAs ran from April 22, 2004 until July 2012, with the 2011 awards season the last. The first awards season opened on May 1, 2004. The awards were founded by Ainaechoiriel, based on the ASC Awards from the Star Trek fandom. Ainaechoiriel set up four separate seasons--Nomination, Ballot (later Check Ballot), Reading, and Voting--which she identified as a key difference from the ASC Awards, along with requiring competing stories to be nominated.^[1]

The MEFAs were initially run on Yahoo! Groups. Participants posted their comments on nominated stories to the group. Based on the number of characters in the comment, the nomination was awarded a number of points. Later, the MEFAs moved to an independent website, although participation continued to require membership in the Yahoo! Group in order to better monitor the use of multiple accounts. Ainaechoiriel also passed administrative duties on to Marta, who continued to act as the lead admin until the MEFAs ended in 2012. For the 2011 awards season, the awards moved again to a website custom-built by Aranel Took and Tanaqui. [need more specific dates--when did the MEFAs move from Yahoo! Groups? When did Marta take over?]

Award Rules

The minutia of the MEFA rules varied from season to season based on a post-awards discussion called the post-mortem. The post-mortem involved admins and sometimes members as well, depending on the awards season, although it always took into account feedback solicited from members. Several rules remained consistent from season to season.

• Nominations. Each member received a limited number of nominations. Members were allowed to make 20 nominations in the 2011 awards season. Self-nominations were allowed.

• Categorization. As part of finalizing their nominations, authors filled out an informational form about their stories, including selecting three categories in order of preference. Category parameters were based around Times, Race, and Genre. Stories were categorized after nomination season by volunteers, who placed stories in a main category and created subcategories if needed. Examples of categories from the 2011 season include Character Study: Aragorn, First Age and Prior: General, and Hobbits: Family.

• Voting. Voting was comment-based. The number of characters in a comment determined the number of points it generated for the author.

• Adult Content. The MEFAs allowed content rated 'Mature' to compete but did not allow content rated 'Adult.' Authors who were unsure how to rate their stories could have the stories reviewed by a panel of volunteers. This panel also reviewed stories that were flagged by readers for violating the ratings guidelines.

The Ending of the MEFAs

In July 2012, Aranel Took announced that the 2011 round would be the final one.^[2] The reason the MEFAs ended was complex and multi-faceted.

During the 2011 awards season, Nieriel Raina requested review of three nominations by Esteliel for possible ratings violations. Nieriel Raina contacted Marta under a pseudonym email, stating that she'd found several stories that violated the ratings policy. Marta replied, asking for the titles of the stories so that they could be reviewed by the ratings panel. Marta indicated that Nieriel Raina would be updated with their decision. Nieriel Raina replied with the titles of the stories but heard nothing further. She next sent two additional queries and received no reply. The issue was addressed a final time via a comment on LiveJournal, initiated by Marta, and it was revealed that technical problems had prevented Nieriel Raina's email with the titles of the stories, as well as the additional queries, from reaching the MEFA admins. Upon locating Nieriel Raina's lost emails, Marta undertook an investigation of the stories, which resulted in the withdrawal of one of Esteliel's stories the day before the closing of voting season. Had it been allowed to complete the season, the story would have been in second place in its category.^[3]

None of this was made public during the 2011 awards season; however, it caused Marta and the other top-level admins to undertake a revision of the award's ratings policy during the post-mortem. On 16 June 2012, this policy was presented to MEFA participants.^[4] The awards were scheduled to begin on 1 July 2012,^[5] allowing little time for reconsideration and revision of policy changes.

One particular detail about the policy change upset authors who wrote stories they would typically rate as 'Mature':

On 28 June 2012, pandemonium_213 posted an open letter signed by several MEFA members on the MEFA Yahoo! Group, outlining their concerns with the new policy and requesting revisions to remove the perceived burden placed on authors of Mature ('5-rated') stories. ^[6] Marta replied to the open letter that day, at which point the situation involving Esteliel's withdrawn story was first made public (without naming either Esteliel or Nieriel Raina, both of whom publicly 'outed' themselves in the interest of full disclosure during the ensuing discussion of the ratings policy). Marta attempted to frame the policy as a minor change. She also refused to consider revising the policy, on the grounds that it was too close to the start of the 2012 season, although she did offer to entertain discussion in September 2012, after the busiest part of the 2012 season had passed.^[7]

Reactions to the open letter and Marta's reply to it were myriad. Some participants who had not signed the open letter were nonetheless supportive of the change being made. Others were not and downplayed the concerns brought up in the open letter. On 1 July 2012, the original signatories of the first open letter posted a second open letter:

The second open letter also announced the creation of an independent LiveJournal community called mefa_ratings for the purpose of further discussing the policy.^[8] During the discussion on the first letter, the request was made to open up posting permissions of the MEFA's LiveJournal community to allow for discussion there, due to the fact that the discussion was becoming unwieldy and difficult to follow on Yahoo! Groups. This request was not met by the MEFA admins. (On 30 June 2012, Marta had made a post on the MEFA LJ community, explaining the debate and again postponing discussion until September, which a number of members had already started to use as an unauthorized forum for discussing the policy and possible solutions.^[9])

On 2 July 2012, Marta posted to Yahoo! Group, announcing that the MEFAs were ending, but giving members the choice of running the 2012 season under the controversial policies as stated or ending the awards immediately. The conflict over the ratings policy was identified as a major reason for ending the award, with Marta stating that 'the way people presented and kept pressing these complaints has made the MEFAs less a pleasure and more a stressful burden for me.'^[10] On 3 July 2012, Aranel Took made the final decision to discontinue the MEFAs entirely based on a host of technical problems plaguing the MEFA site.^[2]

The same day, participants on the mefa_ratings LiveJournal community opened discussion about continuing the MEFAs under new leadership and possibly a new name.^[11] Over the weeks that followed, the Tales of Middle Earth Awards or TOMEs were established, to be run along similar lines as the MEFAs.^[12]

Notes: Winners from previous years are archived at mefawards.org. If the site is down, 2004-2006 are archived here, 2007 here, 2008 here and 2009 here.

References

1. ^MEFA Mission (2008), This file was sent to new members in 2008. It is no longer available on the MEFA Yahoo! Group.
2. ^ ^abAranel Took. Announcement from Aranel: Cancellation of MEFAs (accessed 10 July 2012)
3. ^Nieriel Raina. The Truth About the 2011 MEFA Rating Fiasco, (accessed 1 September 2012).
4. ^ ^abMarta. changes are gonna come - the results of the 2011 post-mortem, (accessed 1 September 2012).
5. ^Marta. the 2012 MEFAs are coming - and we want your help, (accessed 1 September 2012).
6. ^MEFAwards 2012 Ratings System: Objections and Alternative Proposals, (accessed 1 September 2012).
7. ^Marta. Response to MEFAwards 2012 Ratings System: Objections and Alternative Proposals, (accessed 1 September 2012).
8. ^ ^abNew MEFA Ratings Discussion Community in LJ, (accessed 1 September 2012).
9. ^Marta. Ratings and MEFA Eligibility, (accessed 1 September 2012).
10. ^Marta. a difficult decision, and a poll, (accessed 1 September 2012).
11. ^pandemonium_213. MEFA Rebooted: Next Steps, (accessed 1 September 2012).
12. ^Rhapsody11. Taskforce 2 to Board of Directors/11. dark lords & ladies of the tower (accessed 11 July 2012)

Unfinished Tales of Númenor and Middle-earth is a collection of stories and essays by J. R. R. Tolkien that were never completed during his lifetime, but were edited by his son Christopher Tolkien and published in 1980. Many of the tales within are retold in The Silmarillion, albeit in modified forms; the work also contains a summary of the events of The Lord of the Rings told from a less personal perspective.

Overview[edit]

Unlike The Silmarillion, also published posthumously (in 1977), for which the narrative fragments were modified to connect into a consistent and coherent work, the Unfinished Tales are presented as Tolkien left them, with little more than names changed (the author having had a confusing habit of trying out different names for a character while writing a draft). Thus some of these are incomplete stories, while others are collections of information about Middle-earth. Each tale is followed by a long series of notes explaining inconsistencies and obscure points.

As with The Silmarillion, Christopher Tolkien edited and published Unfinished Tales before he had finished his study of the materials in his father's archive. Unfinished Tales provides more detailed information about characters, events and places mentioned only briefly in The Lord of the Rings. Versions of such tales, including the origins of Gandalf and the other Istari (Wizards), the death of Isildur and the loss of the One Ring in the Gladden Fields, and the founding of the kingdom of Rohan, help expand knowledge about Middle-earth.

The commercial success of Unfinished Tales demonstrated that the demand for Tolkien's stories several years after his death was not only still present but growing. Encouraged by the result, Christopher Tolkien embarked upon the more ambitious twelve-volume work entitled The History of Middle-earth which encompasses nearly the entire corpus of his father's writings about Middle-earth.

Contents[edit]

Part One: The First Age[edit]

• 'Of Tuor and his Coming to Gondolin'
• 'Narn i Hîn Húrin (The Tale of the Children of Húrin)'

Part Two: The Second Age[edit]

• 'A Description of the Island of Númenor'
• 'Aldarion and Erendis: The Mariner's Wife'
• 'The Line of Elros: Kings of Númenor'
• 'The History of Galadriel and Celeborn'

Part Three: The Third Age[edit]

• 'The Disaster of the Gladden Fields'
• 'Cirion and Eorl and the Friendship of Gondor and Rohan'
• 'The Quest of Erebor'
• 'The Hunt for the Ring'
• 'The Battles of the Fords of Isen'

Part Four[edit]

• 'The Drúedain'
• 'The Istari'
• 'The Palantíri'

Reception[edit]

The scholar Paul H. Kocher, reviewing Unfinished Tales in Mythlore, notes that all the stories are linked to either The Silmarillion, Akallabeth or The Lord of the Rings, and extensively annotated, mainly by Christopher Tolkien. In Kocher's view, the stories contain 'some of Tolkien's best writing' (and he summarizes them in some detail), though there is much of interest in the editorial material also. He notes the revised map with the additional placenames used in the tales, and that the book does not address Tolkien's poetry.^[1]

The Tolkien scholar Corey Olson notes that Christopher Tolkien chose to present the incomplete tales as they were, adding a commentary to help readers grasp how they fitted in to his father's Middle-earth legendarium. Olson comments that the book's commercial success demonstrated the existence of a market for more of Tolkien's writings, opening up a route to publication of the 12-volume The History of Middle-earth.^[2]

Perry Bramlett adds that the book is not for the reader new to Tolkien, nor even one who has read only The Hobbit 'or perhaps some or even all of the Lord of the Rings.' He notes Christopher Tolkien's warning that the stories 'constitute no whole' and that much of the content 'will be found unrewarding' to those without a good knowledge of Lord of the Rings. More positively, he cites David Bratman's comment^[3] that much of it is as well-crafted as any of Tolkien's writings, and that readers who found The Silmarillion 'a little too high and distant' would welcome it.^[4]

References[edit]

Tales Of Middle Earth Mac Os 11

1. ^Kocher, Paul H. (1981). 'Reviews: Unfinished Tales'. Mythlore. 7 (4): 31–33.
2. ^Olsen, Corey (2014). 'Unfinished Tales'. Mythgard Institute. Signum University. Retrieved 8 August 2020.
3. ^Bratman, David (November 1980). 'Unfinished Tales - Review'. Mythprint. 17 (6): 1.
4. ^Bramlett, Perry C. (2003). I Am in Fact a Hobbit: An Introduction to the Life and Works of J. R. R. Tolkien. Mercer University Press. pp. 153–159. ISBN978-0-86554-894-7.

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